Ξ January 13th, 2011 | → 0 Comments | ∇ Album Reviews |
When you hear the album title, coupled with the news that Judas Priest are retiring this year, you have to worry about Iron Maiden’s future. So far, there appears to be no concrete evidence that this will indeed be Maiden;s final album, but if it is then they’ll have gone out on a high. ‘The Final Frontier’ takes them on a far more progressive journey than they’ve been on in many a year, and its a refreshing change.
Maiden are one of these bands that metalheads can rely on. Like Motorhead and AC/DC, you know what you’re getting with an Iron Maiden album. Although perhaps not this time, as the trademark gallop and catchy choruses are reigned in to a greater extent than previous efforts, and the band have taken time to write some really epic prog metal songs. A natural follow up to its progressive predecessor, ‘A Matter of Life and Death’, ‘The Final Frontier’ challenges all preconceptions of Iron Maiden’s style. The opening title track leads of with about 4 minutes of strange, spaceshipy noises with Bruce Dickinson in the background before it starts proper. It’s a decent opener, not as instantly classic as most Maiden lead-off singles are but then again its better than ‘Wildest Dreams’. ‘El Dorado’ follows with a more traditional Maiden guitar sound, galloping riffs surrounding a memorable chorus and arguably one of the better, ‘accessible’ tracks the band have written in many years. ‘The Alchemist’ is another Maiden galloper, catchy and traditional.
From there, the band veer off into slightly more uncharted territory. Epic prog is now the order of the day, with most tracks over 7 and a half minutes. In fact this is the longest album they’ve ever written, including titanic closer ‘When the Wild Wind Blows’. They all follow a similar pattern with acoustic, soft intros building up into the main songs. Yet, with such talented guitarists, Maiden unplugged is always something special. It’s also incredibly refreshing to see a band, thirty years after their debut and proclaimed rightly as legends, willing to mess with their sound, write albums and songs that they want to, rather than what is expected. Highlights are the less traditional Maiden tracks, such as ‘Starblind’ and ‘Isle of Avalon’, while ‘El Dorado’ is a serious grower. I wasn’t sure of it the first time I heard it, yet it’s now one of my favoured Maiden tracks outside the classics from ‘Edward the Great’.
‘The Final Frontier’ is a staggering achievement. In a day of watered down imitations, bands who are content to release album after album of the same thing and bands who are happy to rest on the laurels of previous achievements, it’s so satisfying to see pioneers of the genre mix things up so successfully. Iron Maiden have written one of the most ambitious works of their career, each listen providing you with new things to notice. The gauntlet is thrown down, and there are no challengers to Maiden’s supremacy as titans of heavy metal.